At the core of the project is a deep bordeaux color that works not as an accent, but as an environment. In the bedroom it covers the walls, moldings and ceiling, so the room is perceived as a single volume. In the rest of the apartment the palette breaks down into related shades: coral in the kitchen, terracotta in the wardrobe, caramel on the loggia. Pale blue, white and black serve as a counterpoint.
The recurring motif of the project is the chessboard check. It appears in the original paintings, in the mirror frames, in the trim of the arch, in the kitchen backsplash and literally, as a chessboard on the dining table. The second repeating device is rounded forms: arches, glass spheres of the lights, marble disc sconces, a spherical cushion, turned furniture legs. Classical moldings, cornices and ceiling rosettes coexist with graphic black details, and because of this the interior slips neither into retro nor into cold minimalism.
The walls with panel moldings and the ceiling with a cornice and rosette are painted in a single bordeaux tone. Against it, a light headboard with a softly rounded contour on black "puck" legs reads almost like a sculpture. Above the bed hangs a painting on a blue background: a heroine in a white dress with voluminous sleeves holds a gold chess piece. This work sets the color formula of the room.
The blue is echoed by velvet cushions and a throw, the white is repeated in the bed linen and the spherical bouclé cushion, and the bordeaux is supported by a velvet bolster cushion. The lighting is multi-level: a chandelier with black arcs and milky spheres and a pair of sconces of marble with red veining. Black turned bedside tables, gray-blue curtains with a graphic black pattern.